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Netflix Drives Global Growth With Genuine Local Content

The video-streaming giant beat its own guidance targets in the first quarter, pointing to ultralocal content production as a key growth driver. Read More...

<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="Video-streaming veteran Netflix (NASDAQ: NFLX) reported first-quarter results on Tuesday night. The company added 9.6 million net paid accounts during the quarter, driving revenue 22% above the year-ago period’s while earnings increased by 19%.” data-reactid=”11″>Video-streaming veteran Netflix (NASDAQ: NFLX) reported first-quarter results on Tuesday night. The company added 9.6 million net paid accounts during the quarter, driving revenue 22% above the year-ago period’s while earnings increased by 19%.

Netflix’s management also provided important updates on several fronts, including the company’s view of new competitors. Let’s have a closer look at the first quarter of 2019.

Red Netflix logo on a wall.

Image source: Netflix.

Netflix by the numbers

<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="In the first quarter, Netflix increased its top line by 22% to $4.52 billion. Earnings rose 19% year over year, landing at $344 million, or $0.76 per diluted share. These results compare favorably to&nbsp;the company’s guidance targets, which pointed to earnings near $0.56 per share on sales of roughly $4.49 billion.” data-reactid=”26″>In the first quarter, Netflix increased its top line by 22% to $4.52 billion. Earnings rose 19% year over year, landing at $344 million, or $0.76 per diluted share. These results compare favorably to the company’s guidance targets, which pointed to earnings near $0.56 per share on sales of roughly $4.49 billion.

In terms of subscriber additions, Netflix added 9.6 million net paid subscribers on a global level. Guidance was aimed at 8.9 million. The company added 7.9 million international accounts and 1.7 million domestic subscribers. All told, the global number of streaming accounts grew 24% year over year, stopping at 148.9 million. Netflix also reported 2.6 million subscribers to its aging DVD service, down from 2.7 million last quarter and 3.1 million a year ago.

Investors also keep a close eye on Netflix’s free cash flow. The company consumed $460 million of cash in the first quarter compared to $287 million in the year-ago period.

Looking ahead, Netflix expects second-quarter earnings of approximately $0.55 per share on revenue in the neighborhood of $4.93 billion. Hitting those targets exactly would amount to year-over-year sales growth of 26% and 35% lower earnings. Paid subscriptions should grow by another 5 million, landing near 154 million accounts.

Chart showing Netflix’s global growth, starting in 2015 and ending with a projection for the second quarter of 2019.

Image source: Netflix.

Global value in local content

CEO Reed Hastings pointed to the usual growth engines behind these results. Consumers around the world are enjoying Netflix’s original content, which inspires steady subscriber growth over time even if monthly fees are rising in key markets like the U.S., Brazil, and some European countries.

<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="On the earnings call, Chief Content Officer Ted Sarandos added some color to the international growth story:” data-reactid=”44″>On the earnings call, Chief Content Officer Ted Sarandos added some color to the international growth story:

We had some great international breakouts where they really helped drive excitement. By way of example, Kingdom in Korea that did phenomenal and is getting watched all over the world and throughout the region. So we think we’ve been able to work on a very local basis and very global basis with the content this year, this quarter.

That was a recurring theme in the earnings call. Netflix is going out of its way to create original content on a local level with as much authentic flavor as possible. In doing so, the company has found that audiences in other territories also flock to these sort-of-exotic movies and shows.

<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content=""The more authentically local the show is, the better it travels, which we've seen with Kingdom," Sarandos said. He continued:” data-reactid=”52″>”The more authentically local the show is, the better it travels, which we’ve seen with Kingdom,” Sarandos said. He continued:

Fans of K-Drama around the world have loved that show and it resonated incredibly well for us in Korea. Similarly, coming up we have a new season of The Rain coming out this quarter that is perfectly Swedish. We don’t try to water it down or make it travel any better inorganically and we found that the best way to make global stories is to make them incredibly authentically local.

The Disney danger

<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="As expected, Hastings spent some time discussing how his company is reacting to the upcoming launches of video-streaming services from Walt Disney (NYSE: DIS) and Apple (NASDAQ: AAPL).&nbsp;Also as expected, he largely brushed them off.” data-reactid=”56″>As expected, Hastings spent some time discussing how his company is reacting to the upcoming launches of video-streaming services from Walt Disney (NYSE: DIS) and Apple (NASDAQ: AAPL). Also as expected, he largely brushed them off.

“Great competition makes you better,” said Hastings. He added:

And so, we’re thrilled to have Apple and Disney in, they are awesome companies and just to be in the same league as them is very exciting for us. And then on a practical basis, there’s already so much competition. I mean, we mentioned we only win 2% of downloading on mobile, it’s like 98% of the time people are not doing Netflix. On U.S. televisions, 90% are not watching Netflix. So there’s a ton of competition out there and Disney and Apple add a little bit more, but frankly I doubt it it will be material, because again there’s already so many competitors for entertainment time, which is great for consumers and it’s exciting for us.

<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content=" More From The Motley Fool ” data-reactid=”60″> More From The Motley Fool

<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="Anders Bylund owns shares of Netflix and Walt Disney. The Motley Fool owns shares of and recommends Apple, Netflix, and Walt Disney. The Motley Fool has the following options: long January 2020 $150 calls on Apple and short January 2020 $155 calls on Apple. The Motley Fool has a disclosure policy.” data-reactid=”68″>Anders Bylund owns shares of Netflix and Walt Disney. The Motley Fool owns shares of and recommends Apple, Netflix, and Walt Disney. The Motley Fool has the following options: long January 2020 $150 calls on Apple and short January 2020 $155 calls on Apple. The Motley Fool has a disclosure policy.

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